Emailed the director approved version of HISTORY OF THE VAMPIRE to producer Ondie Daniel and director Ron McLellen yesterday (in addition to actor Chris Whitley, more on that later). Par my conversation with McLellen it was decided that the main character in the screenplay WILLIAM should not know he is a vampire, which upon closer examination I agreed with, so I incorporated those ideas into the current version of the screenplay.
HISTORY OF THE VAMPIRE is just one story of five in the Daniel produced vampire anthology (title currently unknown) of which I contributed one of the stories and wanted McLellen to direct if I was not going to do so myself. I could have easily done the film myself but I want to see how someone else interprets my work so I'm being very hands off on the production of the film.
Another fact is that I do not particularly like vampire films as the majority of the ones I've seen (which is a substantial amount) are dull and uninteresting. I just think the monster itself is dull and uninteresting. But I came up with a story that put my love of horror films and the vampire mythos on its head (or at least I hope it does). I hope the story is both informative and funny at the same time even in the gore-soaked bloody parts at the end (which I had a oy in writing).
I hope the film comes off just 70% as originally intended because then I know I'm closer to writing the type of screenplay that any director can come in and adequately interpret which is my true goal with this endeavor.
We'll see how the re-writes are taken when Daniel and McLellen give me feedback.
Saturday, May 30, 2009
Wednesday, May 6, 2009
05/06/09 - Reading the Script
Just finished reading writer/director Ron McLellen's short film script HALLOWEEN: NIGHT OF THE BOOGEYMAN which is meant to be a fan-film that he plans on filming this year. It is a short film that is part remake and part re-imagination of the original John Carpenter film.
Being a short film and a remake of the original film (and not the Rob Zombie remake) McLellen's script borrows a lot from the original film with only a few minor changes mostly in terms of names of characters but the plot is 100% Carpenter HALLOWEEN, which is not a good thing.
In this day and age there are virtually hundreds of HALLOWEEN fan-films out there and doing a remake of theoriginal is probably not the best way to go. Of the few HALLOWEEN fan-films I've seen most of them have either done sequels to various films in the franchise or created stand alone one-offs but none that I have seen have tried to remake the original (which point of fact is too straight forward and kind of bland which is why Zombie changed so much for his version). McLellen has done some very interesting short films in his past, most notable NIGHT OF THE HUNGRY DEAD (which gets mention in this fan-film), THE INN, FROM ABOVE, and DER SOLDAT, but this film is lacking in originality and...well, a sense of fun.
Most of the fan-films I've seen relish the opportunity to have fun with their favorite character being able to put them in situations that "Hollywood" never would but this sense of fun is completely void in McLellen's script and in fact comes off as dare I say - bland and emotionless. Now this may be exactly what he is going for as it is a remake of the Carpenter film and if that is the case then he has succeeded but that doesn't always make for a good fan-film.
Regardless, I've always trusted McLellen with his productions and for the most part they are sound, so, I'm not too worried when we actually start to film. I'm actually looking forward to the filming as this will be my first fan-film and McLellen is working on getting the Myers mask from HALLOWEEN: H20 as opposed to any of the other versions of the mask. I know that he'll change it around and augment it to fit his own perceptions of how Myers should look. I also happen to be in the running for a small role in the film which should be fun since I've had no roles in quite a long time (by choice since I'm too busy) and I thought that this film would be a good film to re-enter the field.
I'll have more as we get closer to filming the movie.
Being a short film and a remake of the original film (and not the Rob Zombie remake) McLellen's script borrows a lot from the original film with only a few minor changes mostly in terms of names of characters but the plot is 100% Carpenter HALLOWEEN, which is not a good thing.
In this day and age there are virtually hundreds of HALLOWEEN fan-films out there and doing a remake of theoriginal is probably not the best way to go. Of the few HALLOWEEN fan-films I've seen most of them have either done sequels to various films in the franchise or created stand alone one-offs but none that I have seen have tried to remake the original (which point of fact is too straight forward and kind of bland which is why Zombie changed so much for his version). McLellen has done some very interesting short films in his past, most notable NIGHT OF THE HUNGRY DEAD (which gets mention in this fan-film), THE INN, FROM ABOVE, and DER SOLDAT, but this film is lacking in originality and...well, a sense of fun.
Most of the fan-films I've seen relish the opportunity to have fun with their favorite character being able to put them in situations that "Hollywood" never would but this sense of fun is completely void in McLellen's script and in fact comes off as dare I say - bland and emotionless. Now this may be exactly what he is going for as it is a remake of the Carpenter film and if that is the case then he has succeeded but that doesn't always make for a good fan-film.
Regardless, I've always trusted McLellen with his productions and for the most part they are sound, so, I'm not too worried when we actually start to film. I'm actually looking forward to the filming as this will be my first fan-film and McLellen is working on getting the Myers mask from HALLOWEEN: H20 as opposed to any of the other versions of the mask. I know that he'll change it around and augment it to fit his own perceptions of how Myers should look. I also happen to be in the running for a small role in the film which should be fun since I've had no roles in quite a long time (by choice since I'm too busy) and I thought that this film would be a good film to re-enter the field.
I'll have more as we get closer to filming the movie.
Monday, April 27, 2009
04/27/09 Turning In The Script
I gave Ondie Daniel my screenplay "History of the Vampire" last week. This short script is part of a vampire anthology she is producing. I agreed to contribute a script although I may or may not direct or even have anything to do with it. Although I would love to direct the screenplay, I think it would be more interesting for me to watch someone else interpret my writing. Right now I'm just waiting for feedback in regards to whether or not the screenplay is right for the film she is producing.
I designed the screen-story to be an homage to vampire films while also being a kind of "intro" to vampires. Since I don't particularly have an interest in vampires, vampire films, or this sub-genre of horror to begin with coming up with a story for Daniel's "Untitled Vampire Anthology" was a feat unto itself. The only way I got through it is by loosely basing the story and structure of the story on a thus far abandoned screenplay from almost eight years ago. Although I had very little initial interest the story seemed to write itself as it took me only two days to write the first draft (which came in at just under 30 pages).
Since giving the script to Daniel, we've discussed the possibility of Ron McLellen directing the film. I both like and loathe this idea. I like this idea because by having a seasoned filmmaker on board I can be assured of the high quality and production values but I loathe this idea as McLellen has a knack of dumbing-down his scripts and there is a lot of ambiguous moments in the screenplay that I don't want to be made obvious.
Upon reading the screenplay we discussed a few items mainly that he wants to change the ending so that the two barflies exit the bar and the audience has no doubts that they are vampires because they change into vampires to help a third one who is being attacked by vampire hunters. When I heard him say this I immediately knew that he didn't get the story as everything in the story is ambiguous in regards to the vampires and my point was to show that vampires in the modern age can hide in plane sight even from their own kind. If you reveal the two barflies as vampires then you loose the whole point that I'm trying to make with the story. He also wanted to change a lot of the dialogue since my original had very little and it was meant to be brutal and fast and disturbing. By adding more dialogue you miss the element of the brutality because the characters are being too talkative. The dialogue that is present is very stylized because the less said the better.
Now, I know I'll have to do another re-write of the screenplay which I am prepared to do but based on the input of Daniel and the rest of the producers. After that I will wash my hands free and leave it up to the director to deliver a good story. I'm fully prepared to see a finished product that is barely recognizable from my own. This is one of the reasons why I'm working on this production which is to see how I can work as a writer with other people.
I await Daniel's response to the script before doing anything.
I designed the screen-story to be an homage to vampire films while also being a kind of "intro" to vampires. Since I don't particularly have an interest in vampires, vampire films, or this sub-genre of horror to begin with coming up with a story for Daniel's "Untitled Vampire Anthology" was a feat unto itself. The only way I got through it is by loosely basing the story and structure of the story on a thus far abandoned screenplay from almost eight years ago. Although I had very little initial interest the story seemed to write itself as it took me only two days to write the first draft (which came in at just under 30 pages).
Since giving the script to Daniel, we've discussed the possibility of Ron McLellen directing the film. I both like and loathe this idea. I like this idea because by having a seasoned filmmaker on board I can be assured of the high quality and production values but I loathe this idea as McLellen has a knack of dumbing-down his scripts and there is a lot of ambiguous moments in the screenplay that I don't want to be made obvious.
Upon reading the screenplay we discussed a few items mainly that he wants to change the ending so that the two barflies exit the bar and the audience has no doubts that they are vampires because they change into vampires to help a third one who is being attacked by vampire hunters. When I heard him say this I immediately knew that he didn't get the story as everything in the story is ambiguous in regards to the vampires and my point was to show that vampires in the modern age can hide in plane sight even from their own kind. If you reveal the two barflies as vampires then you loose the whole point that I'm trying to make with the story. He also wanted to change a lot of the dialogue since my original had very little and it was meant to be brutal and fast and disturbing. By adding more dialogue you miss the element of the brutality because the characters are being too talkative. The dialogue that is present is very stylized because the less said the better.
Now, I know I'll have to do another re-write of the screenplay which I am prepared to do but based on the input of Daniel and the rest of the producers. After that I will wash my hands free and leave it up to the director to deliver a good story. I'm fully prepared to see a finished product that is barely recognizable from my own. This is one of the reasons why I'm working on this production which is to see how I can work as a writer with other people.
I await Daniel's response to the script before doing anything.
Sunday, April 12, 2009
04/09/09 - On the Set of BREAKING THROUGH
Today was the final day of filming on the urban film BREAKING THROUGH which I've been working on and off for over two years. Today we were filming some pick up scenes at Gwinnett Convention Center & Arena (where I work my 9 to 5) in which three of the "strippers/contestants" of the film are having a discussion in the dressing room before taking the stage for the climatic contest scene.
As directed by first time writer & director Edward Harlaque BREAKING THROUGH has many problems that most first time films have which is a mediocre script, mediocre acting, and mediocre technical skills, but what the film does have is dedication from the large cast and heart from the director who has toiled on the project for over two years and refuses to give up. There is great passion on this production which will allow it to get finished and in front of an audience if nothing else.
On this film I helped with lighting and even acted in one scene as a bouncer, so, for me it was fun.
******
Just after the shoot ended Harlaque gave me the screenplay for his next film. He plans on trying to get three films out by the end of the year. This is one hell of an ambition considering that the first film needs to get finished but after watching him work on BREAKING THROUGH for two years I have no doubt that he will attempt everything that he says and I admire him for that.
As directed by first time writer & director Edward Harlaque BREAKING THROUGH has many problems that most first time films have which is a mediocre script, mediocre acting, and mediocre technical skills, but what the film does have is dedication from the large cast and heart from the director who has toiled on the project for over two years and refuses to give up. There is great passion on this production which will allow it to get finished and in front of an audience if nothing else.
On this film I helped with lighting and even acted in one scene as a bouncer, so, for me it was fun.
******
Just after the shoot ended Harlaque gave me the screenplay for his next film. He plans on trying to get three films out by the end of the year. This is one hell of an ambition considering that the first film needs to get finished but after watching him work on BREAKING THROUGH for two years I have no doubt that he will attempt everything that he says and I admire him for that.
Labels:
bouncer,
Breaking Through,
Ed Harlaque,
stripper,
urban
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